Van Gogh Museum — An Ode to Printmaking
exhibition review + curator interview
“What unfolds is not a nostalgic return to printmaking, but a reminder that artistic production has always been collective, negotiated, and materially contingent. The exhibition insists on collaboration as method rather than theme, positioning the museum not as a neutral container, but as an active mediator of slowness, labour, and shared authorship.”
Includes an interview with curator Merel Rotman
Stedelijk Museum — The Flaying of Marsyas
performance review
"The Stedelijk Museum is built to stabilise the viewer and contain the work, but here, the audience breaks. It becomes difficult to locate who holds authority in the room: the artist in pain, the institution surrounding him, or the viewers who can leave at any moment. The performance makes that question deliberately unsolvable."
H’ART Museum — Jan Dibbets: Toward Another Photography
exhibition review
"Once reality is put into question, it is not lost but unbolted in favour of possibility. Dibbets exposes how easily the camera’s authority collapses, treating perspective as a philosophical discipline and positioning instability as the condition through which new ways of seeing can emerge."
FOAM Museum - Atlanta Made Us Famous
photography exhibition review
“What endures in this exhibition is the tension between illusion and authorship. The women decide how they are seen. They dismantle the idea that visibility belongs to the external gaze.”
Muziekgebouw aan ’t IJ — Stravinsky’s Les Noces
performance review
“The performance refuses cohesion as an ideal. Music, voice, and movement remain deliberately misaligned, exposing fragmentation as a productive force rather than a flaw. What emerges is not synthesis, but a tense negotiation in which difference is sustained, not resolved.”
Het Schip — Women of the Amsterdam School
museum exhibition review
“The space unfolds in sharp angles and tight corridors, intentionally echoing the twists and blind corners where these women’s histories once disappeared. Those blind corners hold work that at last takes its rightful space.”
journalism
Amsterdam | 2025 - ongoing
